Abstract
The intention of Theophrastus’Charactersstill escapes us. This paper offers a new answer to that centuries-old question by looking closely at the one political sketch of the collection: ‘The Oligarch’ (C.26). We argue that C.26 reveals a political intention in theCharacters, presenting oligarchy as the inherently flawed projection of a character trait onto political events. Read in this way, C.26 appears as a medium through which Theophrastus can take a definite but careful stance in contemporary Athenian politics.
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