Abstract
This paper examines the motif of divine play in Omar Khayyam’s quatrains within the broader context of Persian Sufi poetry. Given the strong association of “divine play” with Hinduism, a comparative approach is employed; to keep the focus on the main subject, this comparison is kept minimal. The comparison reveals three major themes common to both Sufism and Hinduism: God as the Player, God as the Playful Designer, and God as the Playful Dancer. To illustrate these themes, previously untranslated verses have been translated into English for the first time in this paper, highlighting a neglected aspect of Persian mysticism that scholars have often overlooked.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
