Abstract
Abstract This article aims to explore the transformative potential of community-specific Indigenous theatre in reshaping socio-political and ecological landscapes, with reference to Alaxsxa | Alaska (2017) by Ping Chong + Company, one of the most prominent companies of the New York City theatre scene of the past fifty years. In conversation with recent theoretical and practice-oriented accounts of ecodramaturgy, the following analysis proposes: (1) to document the agenda of community engagement undergirding the play’s development, production, and reception, drawing on ethnographic material; (2) to clarify its contributions to developing an Indigenized perspective on Alaska’s history, with a focus on the impact of ecological disasters on its human and more-than-human worlds; and (3) to outline the afterlives of the project, particularly in and for Alaska Native communities, while reflecting on the broader implications of this legacy for contemporary ecologies of performance.
Published Version
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