Abstract

This article is dedicated to the analysis of theatrical tradition, which is a manifestation of the game principle in the stories by N. N. Nosov, and is closely associated with life experience and pursuits of the writer. The author carries out a systemic analysis, reviews the embodiment of theatrical traditions on the specific examples, and reveals that in the works of N. N. Nosov, the theatrical principle is reflected in acquisition of the peculiarities of dramatic genres (dialogization, explicit conflict, primacy of action over description, use of declamation, role game as a plot element). Such tools allow creating a comic effect, depict the true character traits of the heroes, convey a bright and creative childhood atmoshpere. The scientific novelty of this research consists in comprehensive analysis of the  theatrical tradition in the works of N. N. Nosov. The relevance is substantiated by insufficient study of the topic of theatrical tradition in the stories by N. N. Nosov, as well as by heightened interest towards his works. The acquired conclusions cab be used in studying literary heritage of the writer. The interpretations of texts offered in this article may valuable in staging the works of N. N. Nosov in the theater or cinematography.

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