Abstract
The study of indigenous African Community Drama can be argued to have gone through three predominant phases of theatre scholarship namely: Denial, Validation and Descriptive Analysis. In this essay I want to go beyond these primary forms of academic discourse and theorize the artform from a semiotic perspective.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
