Abstract
Professional theatre for children in Canada will be 25 years old in 1978. The continuing growth in the number of companies and the expansion of repertoire, particularly in new plays, is an encouraging and optimistic sign. The high rate of attrition in companies, the general level of playwriting for the genre and the low regard in which work for young people is held within theatrical circles is a cause for deepest pessimism — not only about theatre for young people, but about the attitude of contemporary society toward children and childhood altogether.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
