Abstract
Abstract The terms Comedy and Reconciliation cannot often be found together. Through the analyses of a theatre project, The Voice – A Day of an Unlucky Man, devised by ethnically segregated youth in Prijedor, Bosnia-Herzegovina, this article aims to investigate how comedy can encourage and effectively support a complex process of reconciliation. The framework for this analysis is shaped by comedy studies, theory of reconciliation and applied theatre practice.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have