Abstract
This article examines the relationship between the performing arts and Amerindian peoples, specifically the Araweté, Juruna/Yudjá and Kamayurá peoples, which belong to the Tupi branch, whom I met as part of postdoctoral research carried out from February 2018 to January 2019, at the University of São Paulo (USP). It analyses the conjuncture of the fight of Amerindian and riparian peoples before the destruction of the forest and rivers of the Amazon, based on case studies of two theatre performances: Altamira 2042, a scenic ritual instauration triggered by listening to the testimony of the Xingu river about the Belo Monte dam, and Os Um e Os Outros (The One and the Others), loosely based on The Horatians and the Curiatians by Bertolt Brecht.
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