Abstract

"These few pages want to shed some light on the differences that exist between theatrical performance and experimental creative act. The fundamental notions that define the human being, in general, and the artistic entity in particular, are debated and evidence is provided about the importance of man in time and space. At the same time, the focus falls on knowledge as an essential factor in the evolution of the individual, on his ability and desire to explore expression through his own body, on the complexity of theatrical art perceived as forming culture and on the path of trials that contemporary society is going through. The argumentation is based on reference studies and includes personalities such as Konstantin Stanislavski, Michael Chehov, Brook, Étienne Decroux, precisely to emphasize that not every experiment or form of artistic expression can become art and constitute a theatrical performance."

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