Abstract
This article explores an important, yet infrequently explored, topic in youth studies: far-right festivals. Drawing upon contemporary international examples, this article suggests the powerful imagery of embodied militancy in far-right festivals may cut through to potential young recruits, especially young men, on a visceral and emotional level. They experience a strong sense of nationalist heritage, cultural belonging and radical political identity. Youth may be attracted to the far-right through festivals because they seem to be an exciting space to express resistance against the mainstream, including hatred for ethnic minorities. There is an active process of becoming that takes place. Through collectively lived experience, young people, especially young white men, are guided towards right-wing extremist membership. Such events offer not only a powerful face-to-face experience for youth, but later become a compelling digital recruitment tool, targeted at young people, when photos and videos of the festival are uploaded on social media.
Highlights
Ethnomusicologist Kirsten Dyck argues that far-right music festivals constitute direct ideological outreach to young people through music and associated activities
Music line-ups are vitally important for far-right festival success
They demonstratecultural competence by watching live band performances and Mixed Martial Arts (MMA) fights loudly and enthusiastically, by wearing suitably coded clothing and tattoos, and by dancing in a suitably muscular, aggressive way. Thereby, they learn to render a neophyte far-right identity legible for others in the scene, the rightwing extremist movement. It seems that many far-right festival newcomers partake in a cycle of enchantment that often starts with a visceral connection to the music, or to MMA, or both
Summary
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