Abstract
Across multiple civilizations, the sun has been for centuries considered an extremely prized cultural symbol with numerous connotations. In "Kumarajiva" by Shi Jincun, the sun is a recurring symbol that plays a significant role in the story's emotional transformation of the protagonist. Therefore, it is interesting to delve deeper into the meaning of this image. This essay aims to analyze the coexistence of the two suns in Kumarajiva, which represent human and buddhist nature, respectively, with their various cultural connotations. It also seeks to uncover the narrative idea of the supremacy of the body in the work by highlighting the rivalry and differences between the two suns. This paper aims to bridge the gap between the study of narrative and literary history by examining the similarities between the concept and the principle of neo-sensationalist creativity. It will also offer textual perspectives on the genre attribution of Shi Zhecun, a case that has garnered significant attention in literary history.
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