Abstract

Taking its cue from the combination of life-size and miniature re-enactment that takes place in living history settings, this paper explores human play with scale, focusing in particular on what happens when historical and fantasy figures are made to dwell in miniature landscapes. I discuss relations between modellers and the miniatures that they display in dioramas or manipulate in war games, drawing on multi-sited fieldwork leading up to a small-scale exhibition I organised in Aberdeen in 2008. Taking issue with a discourse of disenchantment in modernity, which has led to a renewed interest in embodied human presence in a material world, I argue that the pleasure that modellers derive from miniature landscaping is a quintessentially contemporary pleasure that owes as much to contact and immersion in materials as to a distancing and abstracting from the miniature terrain through different forms of measurement and layers of representation. This interplay between closeness and distance is brought into sharper focus through discussion with an artist who has made playful use of railway modelling materials in his artwork.

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