Abstract
The article analyzes the contemporary art historical focus on multiple modernities through two significant exhibitions: After Year Zero at Haus der Kulturen der Welt, Berlin 2013/Museum of Modern Art, Warsaw 2015 and The World Goes Pop, Tate Modern, London (2015). These different exhibitions are aimed at re-reading the post-1945 era in a global context, discussing how arts and culture responded to a global modernity. The article emphasizes the overlapping interests in this by academic art history and criticism as well as museal and curatorial efforts and discusses the idea of curatorial research in these different approaches.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
