Abstract
The article is dedicated to the work of the outstanding Ukrainian photographer Valery Miloserdov, whose photo works and big photo projects, which he began to create since the 1980s, are today not only important documents of the time, but also entered the space of contemporary artistic culture, actualizing a wide the circle of the latest artistic issues, namely: the document as an artifact, social photography as cultural research, the place of documentary photography in contemporary art. The artist's work emphasizes the multi-meaning of the documentary photo in the modern cultural space, the importance of the author's point of view, which imbues it with individual perception, thus translating it into the realm of art, where photography is one of the most influential conceptual practices today.
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