Abstract
September 01 2018 The White Hunter: African Memories and Representations The White Hunter: African Memories and Representations curated by MarcoScotini FM Centro per l'Arte Contemporanea, MilanMarch 31–June 3, 2017 Author and Article Information Online Issn: 1937-2108 Print Issn: 0001-9933 © 2018 by the Regents of the University of California.2018The Regents of the University of California African Arts (2018) 51 (3): 86–88. https://doi.org/10.1162/afar_r_00421 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation The White Hunter: African Memories and Representations. African Arts 2018; 51 (3): 86–88. doi: https://doi.org/10.1162/afar_r_00421 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsAfrican Arts Search Advanced Search Italy as a scene for major international exhibitions dedicated to contemporary art from Africa and the African Diaspora has only in recent years made waves on the international arena, with the 56th edition of the Venice Biennale directed by Okwui Enwezor in 2016 representing an important landmark. In an art world dominated by Anglo-American and French institutions and their art markets, Italy today plays an emergent role in breaking that tradition. It is offering curators a new challenge for representing Africa from a position that is both hegemonic—Italy as one of the historical “centers” of European art and an ex-colonial power—and peripheral at the same time, which makes the Italian landscape an exciting space to watch. Curated by the artistic director of FM Centro per l'Arte Contemporanea Marco Scotini, The White Hunter: African Memories and Representations brought together the artworks of thirty-seven artists from Africa, France, Italy, and the African... You do not currently have access to this content.
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