Abstract
In 1927, French author André Maurois published The Next Chapter: The War against the Moon, a “fantasy on the coming power of the press.” Unlike seminal dystopian works such as We, Brave New World, and 1984 in which governments control the news media, War against the Moon presents a future in which news media control the world's governments. Unevaluated heretofore by journalism historians, War against the Moon reflects post-World War I concerns regarding propaganda, the malleability of public opinion, media consolidation, the power of press barons, and the drift of news toward sensationalism.
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