Abstract
ABSTRACTOne of the most striking legacies of the Subaltern Studies project has been the innovative methodologies and archives that it has mobilized to articulate the singular position of the subaltern outside the hegemonic terms of representation. Yet in its sweeping classification of non-hegemonic social groups and classes, Subaltern Studies has often tended to elide the precise economic determinants that define the subaltern as a class, and thereby foreclose the forms of agency that are available to people who occupy such singular positions of radical alterity that cannot be identified in hegemonic terms. Spivak’s deconstructive rethinking of the labour theory of value enables us to consider how the body of the gendered subaltern performs an important economic function in the contemporary global economy. But to what extent can such a theory account for the economic conditions of people dwelling in the slums and shantytowns of postcolonial cities, or what Michael Denning has aptly called the wageless life of the global poor? And how might we begin to address the gendered dynamics of wageless life? Through a reading of Abderrahmane Sissako’s film Bamako (2006), this essay considers how the film’s juxtaposition of a fictional courtroom narrative in which the World Bank is put on trial and the everyday lives of characters who populate the courtyard in which the courtroom is situated raise questions about the limitations of the law and civil society to alter the socio-economic conditions of wageless life. With reference to Gayatri Spivak’s reflections on the relationship between the subaltern and the economic policies of global financial institutions the essay suggests that the narrative structure and mise-en-scène of Bamako offer a means of addressing the global economic conditions as well as the power relations that circumscribe the agency and voice of the subaltern.
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