Abstract

Yvonne Fritze Associate Professor, Lillehammer University College yvonne.fritze@hil.no Geir Haugsbakk Associate Professor, Lillehammer University College geir.haugsbakk@hil.no English abstract The subject of this article is the films nominated for the Amandus Festival after the turn of the century. It examines how young people present themselves in today’s society and how this relates to distinctive trends in societal development. Our analysis builds on an interpretation of contemporary society as hypercomplex and characterised by choice and uncertainty, calling for a reflexive approach. This is what we have looked for in the films. Films of this kind thematise the way young people relate to this complexity and have a creative and conscious relation to genres, and are thus an expression of the voice of youth.

Highlights

  • The subject of this article is the films nominated for the Amandus Festival after the turn of the century

  • It examines how young people present themselves in today’s society and how this relates to distinctive trends in societal development

  • This is what we have looked for in the films. Films of this kind thematise the way young people relate to this complexity and have a creative and conscious relation to genres, and are an expression of the voice of youth

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Summary

Geir Haugsbakk

The subject of this article is the films nominated for the Amandus Festival after the turn of the century It examines how young people present themselves in today’s society and how this relates to distinctive trends in societal development. It examines how young people portray themselves in today’s society and how this relates to distinctive trends in societal development. Our analysis builds on an interpretation of contemporary society as being hypercomplex and characterised by choice and uncertainty, thereby calling for a reflexive approach This is what we have looked for in the films, as films of this type thematise the way young people relate to this complexity while simultaneously having a creative and conscious relationship to genres, and are an expression of the voice of youth. The time of its inauguration and development coincides with a period in which there is ever-increasing interest in children and adolescents as independent individuals and creative participants in their own lives

The position of children and young people in society
The taxonomy of reflection
The Amandus films
Fiction films about choices and uncertainty
Subjective perspectives in documentary films
Young people with their own voice
Full Text
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