Abstract

This book highlights the form and voice of stage directions as an important aspect of dramatic discourse generally and Elizabethan drama specifically. It traces the development of Elizabethan directions from their medieval forebears and contrasts the directions associated with the professional theaters with the neoclassical conventions of other venues.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call