Abstract
The article debates the relationship between rurality, modernity, and the the dynamics of capital accumulation, with a particular focus on the Brazilian author Graciliano Ramosʼs novel São Bernardo. The main interest of this study is in exploring what happens when the narrative device of the voluble, domineering first-person narrator that various critics – such as Roberto Schwarz, Franco Moretti, or the members of the WReC – have identified as a frequent device in peripheral literary works – is transposed to Brazil’s own peripheries, its rural hinterlands.
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