Abstract
The classification ofThe Phoenixas a Christian allegory has obscured the perception that the poem may contain a single symbolic vision, for the attention given the poem has always centred on the apparent allegorizations drawn from the LactantianDe Ave Phoenice. The long description of paradise at the beginning, the phoenix's journey from paradise, its fiery death and resurrection – elements derived from Lactantius and expanded by a clearly Christian reading – invite the exegete to untangle a carefully woven allegorical web. The exegetical approaches are, in some ways, justified. Even Lactantius's poem, which at no time refers to a system of Christian theology, is legitimately subject to this kind of inquiry, for the phoenix, standing by itself, had been a symbol charged with Christian meaning since the earliest patristic writers. Augustine's words may be taken as a summary statement for the Christian interpretation: ‘Quod enim de phoenice loqueris … Resurrectionem quippe ilia significat corporum.’ In practice, however, strict allegorical readings ofThe Phoenixhave not proved very helpful. An ever-changing perspective in the poem makes it difficult to discover a logically coherent and consistent pattern of allegorical meaning, and attempts to find such a pattern have led either to disappointment with the poem or to an exegetical system so rigid that it falsifies the poem itself.
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