Abstract
This essay considers the virtuoso in music, theatre and dance as a liminal figure of performativity. It draws on cultural studies as well as the history of science to offer a critical reading which follows the virtuoso's oscillation between science and art. The escalating dynamic in the virtuoso's technical control of material (of the body, the ‘instrument’, language) leads to a polarization between artistic ‘creation’ and virtuoso performance: the virtuoso thus occupies a seismographic function within the aesthetic debates of the nineteenth century. The article also outlines the relationship between the media and virtuoso performance and the relevance of the anecdote for the virtuoso's charismatic impact. This essay will contribute to our understanding of how the contemporary media influenced the virtuoso concept, and address the issue of whether the (partial) disappearance of the virtuoso from the theatre stage translocates the figure of the virtuoso onto other ‘cultural stages’.
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