Abstract
The interactive multichannel computer music system known as the ‘‘Virtual Orchestra’’ has been used several times in professional opera and theater as an alternative to a live pit orchestra. The technical issues associated with this emerging technology, and the logistical problems of implementing it are presented in a companion paper. This paper describes the equally important issues regarding the creative and pedagogical impact this technology will have on the industry. In particular, the paper suggests that many of the fundamental premises of opera production will change as the industry begins to retool. This would include the way opera is rehearsed and performed, how it is created and disseminated, and how it will adjust to the changing demographics of the country. In addition, the paper addresses the notion of the technologist/musician and examines the role of education and professional training in computer music and musical acoustics.
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