Abstract
AbstractThis paper explores the role of women as alleged sources for Qing dynasty zhiguai (tales of the strange) collections, particularly Ji Yun's (1724-1805) Yuewei caotang biji (Jottings from the Cottage of Close Scrutiny). Tracing circulation of narratives across both single-sex and mixed-sex networks sheds light on those networks, and on shared or divergent lore and interpretations as tales are cooperatively assembled. The absence or presence of female narrators or listeners in tales focused on women's behavior also reveals differing articulations of vice and virtue.
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