Abstract
DURING THE LAST YEAR of his life, Francesco Cavalli, then maestro di cappella of St. Mark's in Venice, published a collection of doublechoir Vespers psalms and Magnificats. The print was issued by Gardano in 1675 and entitled simply Vesperi a otto voci.' On first examination, the collection seems to be just one more of those comprehensive Vespers publications designated per tutte le solennitd dell'anno that were common in the late sixteenth and seventeenth
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