Abstract

The intervention seeks to discuss the issues related to the identity of the very short story, through a critical dialogue that exposes the most important positions and perceptions regarding the term of conflicting opinions, or by identifying the most important issues of the concept through the historical progression of the story, after the researcher has observed more than thirty terms of art for the very short story, which the intervention seeks to address and show its limits, which may help to reach a stage indicating the stability of that narrative genre, whose signs and early signs indicate a pioneer in future narrative literary writing. The intervention will first summarize the presentation of the term " story "and the term" short "according to what serves its subject, which paves the way to identifying the concept of a very short story, and then it is presented more broadly to the benefits of the single" Very " from the addition and qualitative and artistic identification, so that the reader can identify the identity of the literary term very short story and its concept.

Full Text
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