The Veil of Purity: Tropes of Nineteenth-Century Islamic Reform and Ahmad Khan’s naicar

Abstract

Abstract Syed Ahmad Khan (1817–1898) was one of the most prominent Indian Muslim reformists of the nineteenth century and was exceptional for the ways in which he proposed that nature and observations of nature were central to Islam. Like many nineteenth-century reformist narratives, Khan’s ideals on naicar (nature) routinely employed a rhetoric of ‘break,’ ‘renewal,’ and ‘purity’ to imply that Indo-Persian culture was in a state of malaise and in need of rejuvenation. Yet despite this outward denunciation, Khan’s reformist project also ironically reflected many qualities of Persianate Islam that had characterized Indo-Muslim culture before the nineteenth century. This article reconsiders Ahmad Khan’s modernism in light of the Persianate modes that he maintained to point out some of the rhetorical inconsistencies of modernist writing, and the historical lacunae which they create.