Abstract
In some instances, after a concert hall is built there may be a need to modify the physical environment of the space through the application of diffusion or absorptive surfaces, the addition of reflector systems or the repositioning of the orchestra in the space. Prior to moving forward with suggested changes to the physical environment, it has been customary to conduct evaluation rehearsals with physical mock-ups installed to confirm the acousticians recommendations. Questionnaires are given to the musicians, the conductor and the administration staff to document the effect of the changes, and physical measurements are taken before and after the installation of the mock-ups. The questionnaires can be difficult to correlate and the differences in data resulting from the physical measurements may be too small to properly evaluate. More recently, Jaffe Holden Acoustics has added dummy head recordings to the mix. These recordings are extremely representative of what a human hears and one can place these devices in various locations on stage and in the audience chamber. The recordings create a permanent record of the event and the results of subsequent A/B evaluation can be more closely correlated to render judgments.
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