Abstract

Finding a unique way to help students better accept between traditional Chinese Painting and Modern and Contemporary Art is an increasing concern in primary school art teaching. The purpose of this study is to investigate fine art education field according to analyze the current situation of Chinese traditional painting and calligraphy together with Modern and Contemporary Art in the art curriculum of primary schools: shallow embedded curriculum, shortage of Class Hours and relatively simple teaching method. Based on the key competence of the disciplines, it discusses the value of integrating those two in art teaching of primary schools, proposes a Bridge to connect the Chinese painting and calligraphy& Modern and contemporary art and provides a curriculum construction model that connects the artistic language with the concept of disciplines. This study takes the work of artist A.R.Penck as the theme, starting from the big idea, looking for basic problems, designing a curriculum with the integration of two kinds of art forms, and teaching practice at The China Soong Ching Ling Science & Culture for Young People. This study not only answers the feasibility of the curriculum construction model but also gives some critical thinking about it.

Highlights

  • Traditional Chinese painting and calligraphy is a manifestation of traditional Chinese art which mainly includes calligraphy and traditional Chinese painting

  • The content of traditional Chinese painting and modern and contemporary art in primary art textbooks are mainly presented in an embedded way in specific lessons

  • Pictures of the French artist Dufy’s oil painting Anemone, Cézanne’s oil painting Blue Vase, Song Dynasty Lin Chun’s Sketching Jade, Pan Tianshou’s Dew are listed together with some artifacts with flower in life and apparel. This lesson fails to elaborate on the ontology of modern and contemporary Chinese painting and traditional Chinese painting and calligraphy, it is a simple Jiewushuowu (To demonstrate something with itself )

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Summary

Introduction

Traditional Chinese painting and calligraphy is a manifestation of traditional Chinese art which mainly includes calligraphy and traditional Chinese painting. Western modern and contemporary art is roughly divided into two major stages of development. One is the modernist period which mainly refers to the half a century time that starts from the post-impressionism since 1870 to abstract expressionism. The Second period is contemporary art which starts from 1960 to modern times, known as postmodernism. With the development of the times, western modern and contemporary art has gradually entered our lives. The combination of Chinese and Western education models has been a major trend emphasizing the individuality of students as well as basic modeling which led to a sharp contrast with the realism and modernism in the past. The rationality of Western modern and contemporary art and the great wisdom of the traditional Chinese painting and calligraphy give us a better of life

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