The vague nouvelle and the Nouvelle Vague: The Critical Construction of le jeune cinéma français

Abstract

One of the commonplaces in critical writing on the 1990s movement known as le jeune cinéma français is the idea that it constituted a new ‘New Wave’. At the same time, the critical reception of the 1990s and 1960s ‘new waves’ could not be more different, with le jeune cinéma français being seen invariably as aesthetically inferior to its 1960s ‘antecedent’. This article examines the two key discursive mechanisms used to link le jeune cinéma français to the Nouvelle Vague, those of political commitment and ‘auteur’ cinema. It is argued that the mechanisms used to construct le jeune cinéma français as a distinct cinematic category become increasingly divorced from the kinds of films actually being made and that it is this discursive disjuncture which is, in part, responsible for its negative critical reception.