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Abstract
AbstractThis study reports a detailed analysis of artificial modifications observed on a collection of human bone artifacts from Carl Lumholtz’s nineteenth-century excavations at El Palacio, Michoacán. The data obtained confirm that they were used as musical rasps calledomichicahuaztliin Nahuatl and also provide new interpretations of their acquisition, manufacture, and abandonment processes. Cut marks indicate that the bones were taken from fresh cadavers of at least eight individuals, possibly sacrificial victims. Regarding manufacture and use of these instruments, important variations are observed and suggest that different persons could have manipulated them. Finally, it is possible to demonstrate that most of the instruments were broken intentionally prior to being buried with numerous individuals. Regarding the context in which theomichicahuaztliwere used, it is interesting to point out some characteristics of the associated skeletons. Among male skulls, the high incidence of traumatic lesions that may have occurred in warlike context strongly suggests that many of the buried individuals were warriors. This association may indicate that Tarascanomichicahuaztli, similar to those of the Aztec!, were used in funerary ceremonies dedicated to dead warriors.
Published Version
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