The Useful Cinema of State Secrecy. On Some Socialist Romanian Spy Films

Abstract

A decree passed by the socialist Romanian state at the beginning of the 1970s stipulated the need to defend state secrets as a condition for the country’s economic and social progress in the context of its growing participation in world commerce. While the law operated with a wide notion of state secrecy, referring to any piece of information which, if disclosed, could jeopardize the Romanian state’s interests, it included harsh regulations with regard to personal contacts with foreign citizens and served primarily for establishing a heightened operative control over the local economic life. Following the Romanian State Security Council’s encouragement of campaigns for popular education, which should help prevent any trespassing of this decree, the early 1970s saw the commissioning of several instruction films made by the newly founded Film Service of the Ministry of the Interior as a form of ‘counterintelligence training of the working class’. The present paper contextualizes and closely analyzes some of these films staging fictional cases of industrial espionage and their subsequent investigation by State Security as a form of useful cinema, arguing that, aside from their main educational mission of raising awareness about the legal responsibilities ensuing from the decrees concerning state secrecy, these films also acted as an instrument of national, geopolitical and institutional self-representation.