The use of powdered bismuth in Late Gothic painting and sculpture polychromy

Abstract

Abstract This paper presents a material study of the altarpiece in the chapel at Křivoklat (Purglitz) Castle called Křivoklat Ark (around 1480–1490), located in Central Bohemia, Czech Republic. The Křivoklat Altarpiece is one of the most important works of Jagiellonian courtly art in Bohemia. It is decorated with polychrome sculptures and panel paintings. An initial investigation of the gilded and silvered parts of the paintings, sculptures and architectural decor of the altarpiece was undertaken using a portable X-ray fluorescence analyser. Not only the expected metallic elements gold and silver were identified, but also bismuth. This surprising result led on to a complex study of the altarpiece, focused on the layered structure and the method by which bismuth was used the paint layers under the metal-coated areas (under the gold and silver plating). The coating technique using bismuth powder in the Late Gothic period has already been described in scientific publications. However, our paper deals with a rare technique, i.e. the use of powdered bismuth in red bole and its plating with gold and silver leaf. Several micro-samples were therefore taken from carefully selected parts of the altarpiece. Only a minimum amount of sample material was taken, due to the significance of altarpiece. The samples were then analyzed with optical and electron microscopy, EDS analysis, micro-XRF, and other methods. The quantitative element mapping on the cross-section of a micro-sample with gilding showed distributions of several elements (Bi, Au, Fe, Al, Ca); this means that the presence of bismuth grains in the red layer under the gilding leaf was proven. Interdisciplinary cooperation and a combination of microscopic and spectral methods have enabled us to describe this unique late Gothic gilding technique, in which metallic bismuth was intentionally used to affect the color scheme of the coated areas in paintings and polychrome sculptures.