Abstract
This article displays the Great Patriotic War (1941–1945) poetry of the Urals. The researched material is limited by this time interval, which is being considered from two perspectives. Firstly, in relation to the general poetic patterns of that time literature it is shown that the regional poetry is united with the all-Union poetry both from the point of view of genre painting and stylistic features (the coexistence of romantic heroic and realistic writing). Secondly, the article analyses the art of the poets who appeared to be the representatives of the three different angles of the war — the frontline — the rear — the camp. The dimension / the place taken by the individual at the state of the war affects directly the originality of the poetic perception of the war in a direct way, that is clearly proved by that period artworks of M. Lvov, L. Tatianicheva and B. Ruchiev.
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