Abstract

The reconstruction of clothing and fabrics is also called the “secondary treatment of fabrics”. It usually challenges the reorganization of the original form, transforms the original single fabric style, displays new effects, and performs more unique definitions. Redesign requires minimizing its negative impact while exploring its more considerable positive contribution to society. Designers need to act as a role of “interpreter”. They translate the original products into more responsible ones, not only to be innovative but also to avoid harming the environment. In the perspective of recycling design, I will re-define different substances, adopt the secondary design of fabrics and the re-transformation of waste clothing. It is critical to emphasize that products should be natural and eco-friendly.

Highlights

  • The rapid production of cheap clothing has aroused public controversy in recent years

  • The reconstruction of clothing and fabrics is called the “secondary treatment of fabrics”. It usually challenges the reorganization of the original form, transforms the original single fabric style, displays new effects, and performs more unique definitions

  • The fashion industry accelerated its pace of production and fabrication to satisfy the enlarging demand for “trendy” pieces within society

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Summary

Background

The rapid production of cheap clothing has aroused public controversy in recent years. Some fashion designers and manufacturers have started to seek a balance between high fashion and sustainability They want to recycle the “out time” pieces while producing less waste with fewer resources applied (Gam, 2011). It is undeniable that the fashion industry is eager to explore a way to realize the goal. They need “fundamental redesign” (Francois, 2019). The consultation of relevant materials to understand the combination and deconstruction of clothing and the knowledge of cutting and reinventing clothing are fundamental To achieve this goal, I need to record daily processes, which is the discovery of all kinds of materials that can be applied to clothing from daily life, including patterns, fabrics, objects of different materials, etc. I made a personal plan for my future design exploration (see Figure 2)

Aim and Objective
Time Plan
Observation of How Senior Designers Combine Used Items with Clothing
Methodology
Primary Research
Secondary Research Design
Findings
Conclusion
Full Text
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