Abstract
Abstract This chapter argues that Kant's attempt in the uncompleted Opus postumum to describe a system of philosophy in which the natural and the moral worlds are both projections from the underlying nature of human beings is not a radical departure from his previous philosophy, but only the development of his theory of the harmony between the laws of nature and the moral law postulated as necessary for the realizability of the highest good as that had been developed in the earlier three critiques.
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