Abstract
The relationship between the Winchester manuscript and Caxton's edition multiple negation the identical instances the different instances the relationship between W and C reconsidered the editor/copyist and the compositors after a copy vnto me deliverd - a reconstruction the disappearance of multiple negation conclusion appendix 1 - the types of constructions appendix 2 - variants with multiple negation in W and C appendix 3 - Robert Copland as the editor/copyist.
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