Abstract

The Indian film industry, renowned for its diversity and prolificacy, stands as a testament to the creative process of its directors. This paper delves into the intricate realm of copyright law as it pertains to the director's work in Indian cinema. In a country where filmmaking is both an art form and a thriving industry, the protection and regulation of the director's creative contributions are of paramount importance. This analysis examines the legal framework governing copyright in directorial works, encompassing elements such as screenplay, cinematography, choreography, and overall visual aesthetics. It sheds light on the Indian Copyright Act of 1957 and its subsequent amendments, elucidating the rights granted to directors and the duration of their protection. Furthermore, the abstract explores notable cases and legal precedents, showcasing the evolving nature of copyright jurisprudence in India. It also discusses the challenges faced by directors in asserting their rights, including issues related to authorship, moral rights, and disputes with producers and studios. The comparative study of the UK Copyright Law provides number of new jurisprudence which can find a place in Indian ecosystem. By navigating the intricate legal landscape and addressing emerging challenges, this paper aims to present a more comprehensive understanding of the evolving copyright paradigm in India's dynamic film industry. Keywords: Copyright, Economic Interest, Joint Authorship, Director, UK CR Law.

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