Abstract

The subject of the study is the image of Hadi the Junkman, coined the modern Iraqi writer Ahmed Saadawi in the novel “Frankenstein in Baghdad” (2013). The author is interested how the residents of the Iraqi capital survive under American invention. The author presents the picture of the 2000-s years using the fate of the Baghdadis as an illustration. He describes numerous explosions in Baghdad and the consequences they had on its citizens future. The novelist compares the living conditions of ordinary people of the Batavia quarter and high-ranking government officials. The figure of a junk dealer Hadi al-Atak, who walks around the city in search of antiques and tells entertaining stories unites the people with different background. Being a trickster, a liar, or buffoon, old man has created an imaginary monster that fights against injustice and avenges the innocent people who died in terrorist attacks. The methods of historical and system analysis allow us to prove that in the era of formation change, the role of the trickster is becoming more important and modified. Shuttling between good and evil, the Junkman helps to smooth out conflicts and resolve disputes peacefully. Due to the breakdown of life paradigms, the trickster has a special function: he becomes the leading hero and saves humanity from evil, performing a Christological role. Taking the blame for the crimes of his brainchild “Whatsitsname” (Arab Frankenstein), sacrificing his life, the Hadi the Junkman brings peace and stability to the tired people of Baghdad.

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