Abstract
The Time-Space Dimension in mass and multifigure scenes of “Manon Lescaut” by G. Puccini
Highlights
Recent years have seen a resurgence of researchers’ interest in theatricality in opera of XX century
The material of this research is presented by mass and multifigure scenes of “Manon Lescaut”, which is the third, early opera work by the composer
The observations found in her book became for the author of the current article a confirmation of foresightedness of G
Summary
Recent years have seen a resurgence of researchers’ interest in theatricality in opera of XX century. It is possible to regard mass and multifigure scenes of “Manon Lescaut” as an example of unification of the dimensions of the Time and the Space, a unification creating double optics of illumination of plot and musical events, pictured on stage and allowing to reflect the realm of life in the most authentic way.
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