Abstract

Literary and cultural critics have tended to interpret African American literary postmodernism as a broad threat to the cohesion of racial community. Alternatively, this essay submits that contemporary novels by Charles Johnson, Andrea Lee, and others have also construed these changes in racial collectivism as opportunities to recast the political and formal protocols of black fiction. More specifically, these writers draw on the class divisions that intellectuals have viewed primarily through the lens of crisis as a means to challenge existing models of racial solidarity and to renovate the formal features of narrative itself.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.