Abstract
One theatre company alone in France, since the end of Vilar's Théâtre National Populaire, continues to make us consider the relationships between theatre and life, the place of theatre in society, its ability to modify the order of things in some way. It is the Théâtre du Soleil, guided by Ariane Mnouchkine.THE SEARCH for a contemporary popular theatre which has occupied the Théâtre du Soleil almost since its foundation 22 years ago has led the company at various times into innovations in both subject matter and performance style. Their latest production,The Terrible but Unfinished History of Norodom Sihanouk, King of Combodia, breaks new ground in both areas.
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