Abstract

Abstract The Apocalypse of John is filled with monsters who threaten both spatial and cultural boundaries. They are generally understood as ciphers for the Roman Empire and its ­rulers. Rather than seeking the ancient Near Eastern origins of the monstrous imagery, the intent of this paper is to use monster theory to better understand why John employs monsters throughout the apocalypse. I argue that the author’s portrayal of the threat and punishment of hybrid monsters reveals his own insecurities and fears concerning his communities’ assimilation with Roman culture. John uses monsters specifically to target rival prophets in his communities that espouse a different vision of living under Rome rule.

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