Abstract

Whither literature in an age of semiotic overload? In a discussion of J.M. Coetzee’s El Polaco, Mohamed Mbougar Sarr’s La plus secrète mémoire des hommes and Zoë Wicomb’s Still Life, this essay suggests that a dialectic between textual evasion and the intertextual productivity of commentary, translation and generative AI might show the way forward.

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