Abstract
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
Highlights
Ientered the Screendance Network from a slightly oblique angle
I began to see that maybe my role in the Screendance Network and The International Journal of Screendance was to call for more intentionality about how screendance helps construct our vision of twenty-first century dancing bodies
Despite the awkward fit of history and discipline, I felt this essay had helped me to articulate the inherent interconnectedness between dance and technologies, including the ways that dance techniques are, examples of very effective technologies of the body
Summary
Ientered the Screendance Network from a slightly oblique angle. On one hand, I was the most unschooled of many of my illustrious colleagues in contemporary examples of screendance, and I certainly was much less addicted to YouTube searching and my computer in general. Intention, tension: these words are in the forefront of my mind when I begin to think about the relationship between dance and technology.
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