Abstract
AbstractIn an effort to provide a more complete description of the state of collecting in art and architecture libraries today, the author interviewed five publishers for their supply-side perspectives. Based in Europe and the United States, the publishers provide a glimpse into how their programs are functioning today, the challenges they are facing, and the digital content they have produced or would like to produce in the future. The interviews also captured their visions about the potential for new digital content to animate visual art discourse, and what elements of the book—and indeed the experience of reading art books—they would like preserved. This is part two of a two-part article in this issue of Art Documentation.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Art Documentation: Journal of the Art Libraries Society of North America
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
