Abstract

Introduction. 1. A writer reading: the theories of a 'Sinner With a Melancholic Humor' 2. Armida's lap, Erminia's tears: in the wake of paternity and figuration in the Gerusalemme liberata. 3. The mirror and the snake: the case of Marvell's 'unfortunate Lover' 4. Errors and dam('n)d confusions: Shakespearian subjects on trial 5. 'Hairy on the In-side:' The Duchess of Malfi and the body of Lycanthropy

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