Abstract
Tango singer Carlos Gardel's international career, including his 1931-1935 appearances in seven Paramount musicals that helped consolidate an audience for Argentina's nascent sound film industry, exemplifies the role of emerging media technologies—radio, phonography, sound film—in the renegotiation of cultural hegemonies within and beyond the nation.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
