Abstract

Reports of witchcraft crimes are a staple feature in the South African tabloid newspaper, the Daily Sun. Instead of dismissing these sensational and seemingly implausible narratives, this paper examines them as ‘fictions’ through the lens of theory developed for the analysis of detective fiction. It draws on Huhn's (1987) model of the readerly relationships established by the narrative forms of the classical detective story and the hard-boiled novel in order to show how the reportage, together with its expected reception, reveals subliminal tensions within working-class black culture. Ironically, such a reading illustrates how the brazen and emotive nature of the tabloid text, which signals for some its untrustworthiness, perhaps comes closer to telling a ‘truth’ about contemporary South African society than the most ‘objective’ reports.

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