“The Sun of World Poetry”: Pushkin as a Cold War Writer

Abstract

“The Sun of World Poetry”: Pushkin as a Cold War Writer Olga Voronina The Spell of the Spectacle: The Pushkin Celebrations of 1949 The festivities dedicated to the 150th anniversary of Pushkin’s birth, lasting from mid-April through early July 1949, were the second-greatest mass spectacle of the early Cold War after the Victory Parade. Echoing the sumptuous Pushkin Celebrations of 1937, the postwar jubilee was well rehearsed and artfully engineered. It included such preliminaries as an All-Union Pushkin Conference at the Institute of Russian Literature of the Academy of Sciences; a Joint Session of the Academy’s Literature and Language, and History and Philosophy Departments; the reopening following the restoration of the Pushkin memorial apartment, and the laying of the foundation of the Pushkin monument in Leningrad; the post-renovation inauguration of the Pushkin estate in Mikhailovskoe, in the Pskov region; and the opening of a Pushkin obelisk in Zakharovo, near Moscow. In the course of three months, Pushkin scholars around the country reportedly delivered 219 public lectures, while Leningrad curators conducted 300 excursions around the Pushkin Museum. Twenty-seven thousand people took part in these activities; 10,000 more gathered for a meeting at the Pushkin monument in Moscow a day before the poet’s birthday. These statistical data were documented in the Proceedings of the Anniversary Celebrations published by the Academy of Sciences. According to Konstantin Simonov, then laureate of four Stalin Prizes and editor-in-chief of Novyi Mir, the scope of the jubilee underscored the greatness of the “Stalin era, which for the first time in the history of humanity made […] Pushkin’s oeuvre the common property of all the people.”1 Although this was a common trope regarding other pre-revolutionary writers as well, Simonov’s speech had distinctive political relevance. He delivered these words on 6 June 1949, at the Pushkin Session at the Bolshoi Theater in Moscow, with Stalin present. Sitting in the presidium, the Generalissimo [End Page 63] again was the obvious other hero of the occasion. And yet there was a big difference between 1937 and 1949 concerning the nature of Stalin’s “glory.” After the war, Simonov and other speakers addressed their eulogies to Stalin the winner, laying words at his feet like the Victory Parade soldiers had laid the banners of the conquered enemy. War rhetoric permeated the Pushkin Celebrations of 1949. But however productive it is to consider the jubilee a spectacle of national recovery from war wounds,2 it was the Cold War that served as its underlying “trauma” and informed the speakers’ and journalists’ choices of arguments and tropes. Speaking of Pushkin’s “significance for the entire world,” Stalin’s ideologues, first and foremost, were referring to the geopolitical delineations recently established on a global scale. They also took into account the ongoing campaign against “servility toward the West” (nizkopoklonstvo pered zapadom),3 which was aimed at rooting out fascination with foreign arts and literature among Soviet citizens and curbing their awareness of Russia’s indebtedness to the Western cultural heritage. Seeking to detect and destroy the new “inner adversary” in Soviet society, the “servility” campaign had erected a wall between the Soviet intelligentsia and the people. My goal is to trace rhetorical outlines of these ideological boundaries [End Page 64] and compare them to Pushkin’s ideas about Russia’s relationship to Europe and a writer’s place within his or her society. Two keynote speakers at the Pushkin Session at the Bolshoy, Simonov and Aleksandr Fadeev, evoked Cold War alienation paradigms in their presentations. The first to speak, Fadeev attacked the “enemies of our socialist country, the enemies of their own nations, the lackeys of bourgeois culture, who […] cover their […] dependence on their coaches, the imperialists, with shrieks about ‘freedom’ and ‘democracy.’”4 These words, borrowed from newspaper editorials, were a standard contribution to the Soviet project of defining the external Cold War enemy. The other object of Fadeev’s concern was the Soviet intelligentsia, whom he believed to be exceptionally fortunate but not always vigilant or politically zealous. Only in the Soviet Union, Fadeev said, “do the people treat the intelligentsia so kindly and surround them with such love...